Our journey
The Neoluthy violin has embarked on an incredible journey, beginning in Bogotá, Colombia. It all started with a spark of curiosity and a passion for pushing the boundaries of traditional instrument making.
As we delved into the world of 3D printing, we knew we were onto something groundbreaking. In the midst of the 2020 pandemic, we tirelessly worked from both Bogotá and Medellin, experimenting, refining, and perfecting our prototypes. It was a collaborative effort fueled by dedication and a shared vision.
Finally, in September 2020, our hard work paid off as we assembled the first playable violin. It was a remarkable milestone that showcased the possibilities of merging technology with craftsmanship. The initial results were promising, motivating us to continue on this transformative path.
In 2021, the violin's journey continued in Bogotá, where we fine-tuned our design and manufacturing processes. Through rigorous experimentation and the invaluable feedback from musicians and experts, we achieved a breakthrough - a final stable model that could be 3D printed in under three days, all while delivering exceptional sound quality.
Throughout its journey, the Neoluthy violin has interacted with diverse communities, inspiring conversations about innovation, creativity, and the future of musical instrument production. Its travels have symbolized the power of collaboration and the fusion of technology and artistry.
From the initial spark of an idea in Bogotá to the refined masterpiece it is today, the Neoluthy violin represents a testament to human ingenuity and the limitless possibilities of combining tradition with cutting-edge technology. It continues to captivate musicians, enthusiasts, and innovators worldwide, bridging the gap between craftsmanship and the digital era.
As we joined forces with "La Retreta," our 3D printed violin embarked on an exciting journey to the prestigious San Francisco Conservatory of Music. With hopes high, we presented our exceptional creation to the discerning judges of the PDG Tier1 competition. To our delight, our violin impressed the judges, securing vital financing for our project.
With this newfound support, we seized the opportunity to capture the essence of our remarkable instrument. We ventured into the state-of-the-art studios at the San Francisco Conservatory of Music, where we recorded the violin in exquisite high-quality audio. This extraordinary collaboration allowed us to showcase the violin's exceptional sound and musicality.
Furthermore, we embraced the conservatory's vibrant atmosphere, collaborating with talented students to create captivating videos. Our violin came alive in the hands of these skilled musicians, resonating within the hallowed halls of the conservatory and leaving an indelible mark on the project's journey.
During our trip to Cremona, the renowned city of luthiers, we had the privilege of meeting Giorgio Grisales, an esteemed violinmaker with over 40 years of experience. His feedback on our violin and his insightful ideas opened our eyes to new possibilities. Inspired by the rich heritage of Cremona and guided by Grisales' expertise, we continue to push the boundaries of traditional craftsmanship.
Giorgio Grisales, born in Colombia, embarked on his journey in Cremona in 1982, where he began his first approach to the art of violinmaking. Graduating from prestigious institutions and drawing inspiration from the Italian masters, his instruments are now recognized and cherished worldwide. At the XI International Violinmaking Triennale Contest "A. Stradivari," Grisales was awarded the silver medal in the doublebass section.
His encounter with our violin has not only provided valuable feedback but has also ignited our passion to explore new horizons. With Cremona's legacy in our hearts, we strive to innovate and excel, reshaping the future of violinmaking.